‘Ça tient qu'à toi’: cartographies of post-fordist labour in Laurent Cantet's L'Emploi du temps

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‘Ça tient qu'à toi’: cartographies of post-fordist labour in Laurent Cantet's L'Emploi du temps

Drawing on Gilles Deleuze's work on Michel Foucault, control societies and cinema, Laurent Cantet's L'Emploi du temps is analysed as a cartographic rendering of post-Fordist labour. The film creates a pervasive ambiance of liminality and dreamlike disconnection—‘flottement’—around the...

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Bibliographic Details
Main Author:	Marks, John
Format:	Article
Published:	Taylor & Francis 2011
Subjects:	Laurent Cantet post-Fordism hypermodernity control society
Online Access:	https://eprints.nottingham.ac.uk/34419/

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