‘Ça tient qu'à toi’: cartographies of post-fordist labour in Laurent Cantet's L'Emploi du temps
Drawing on Gilles Deleuze's work on Michel Foucault, control societies and cinema, Laurent Cantet's L'Emploi du temps is analysed as a cartographic rendering of post-Fordist labour. The film creates a pervasive ambiance of liminality and dreamlike disconnection—‘flottement’—around the...
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Taylor & Francis
2011
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| Online Access: | https://eprints.nottingham.ac.uk/34419/ |