Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void

This essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature...

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Main Authors:	Brown, William, Fleming, David H.
Format:	Article
Language:	English
Published:	Edinburgh University Press 2015
Online Access:	http://eprints.nottingham.ac.uk/47434/ http://eprints.nottingham.ac.uk/47434/ http://eprints.nottingham.ac.uk/47434/1/Voiding%20Cinema%20Subjectivity%20Beside%20Itself%2C%20or%20Unbecoming%20Cinema%20in%20Enter%20the%20Void.pdf

id	nottingham-47434
recordtype	eprints
spelling	nottingham-474342018-06-07T22:45:34Z http://eprints.nottingham.ac.uk/47434/ Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void Brown, William Fleming, David H. This essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and describe by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion of cinematic form through the use of digital technologies. Edinburgh University Press 2015 Article PeerReviewed application/pdf en cc_by_nc http://eprints.nottingham.ac.uk/47434/1/Voiding%20Cinema%20Subjectivity%20Beside%20Itself%2C%20or%20Unbecoming%20Cinema%20in%20Enter%20the%20Void.pdf Brown, William and Fleming, David H. (2015) Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void. Film-Philosophy, 19 . pp. 124-145. ISSN 1466-4615 https://www.euppublishing.com/toc/film/19/1
repository_type	Digital Repository
institution_category	Local University
institution	University of Nottingham Malaysia Campus
building	Nottingham Research Data Repository
collection	Online Access
language	English
description	This essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and describe by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion of cinematic form through the use of digital technologies.
format	Article
author	Brown, William Fleming, David H.
spellingShingle	Brown, William Fleming, David H. Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void
author_facet	Brown, William Fleming, David H.
author_sort	Brown, William
title	Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void
title_short	Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void
title_full	Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void
title_fullStr	Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void
title_full_unstemmed	Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void
title_sort	voiding cinema: subjectivity beside itself, or unbecoming cinema in enter the void
publisher	Edinburgh University Press
publishDate	2015
url	http://eprints.nottingham.ac.uk/47434/ http://eprints.nottingham.ac.uk/47434/ http://eprints.nottingham.ac.uk/47434/1/Voiding%20Cinema%20Subjectivity%20Beside%20Itself%2C%20or%20Unbecoming%20Cinema%20in%20Enter%20the%20Void.pdf
first_indexed	2018-09-06T13:53:21Z
last_indexed	2018-09-06T13:53:21Z
_version_	1610866492709011456

Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void

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