Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void
This essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Edinburgh University Press
2015
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| Online Access: | http://eprints.nottingham.ac.uk/47434/ http://eprints.nottingham.ac.uk/47434/ http://eprints.nottingham.ac.uk/47434/1/Voiding%20Cinema%20Subjectivity%20Beside%20Itself%2C%20or%20Unbecoming%20Cinema%20in%20Enter%20the%20Void.pdf |