Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan

KSK Art Crew is a Cantonese opera troupe led by Kam Sin Kiew based in Kuala Lumpur. This study examined into the changing context of KSK Art Crew as Kam revitalized the Cantonese opera in effort of sustainability. Literature reveals studies by scholars looking into Chinese opera based in China and W...

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Main Author: He, Shan
Format: Thesis
Published: 2015
Subjects:
Online Access:http://studentsrepo.um.edu.my/5905/
http://studentsrepo.um.edu.my/5905/4/he_shan.pdf
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author He, Shan
author_facet He, Shan
author_sort He, Shan
building UM Research Repository
collection Online Access
description KSK Art Crew is a Cantonese opera troupe led by Kam Sin Kiew based in Kuala Lumpur. This study examined into the changing context of KSK Art Crew as Kam revitalized the Cantonese opera in effort of sustainability. Literature reveals studies by scholars looking into Chinese opera based in China and Western countries, but there is a lack of research that examines into Cantonese opera in Malaysia, brought in by the Chinese diaspora in a country where majority of population is Malay. Methods include fieldwork, participant observation, recording, analysis and interview. Results show that the change of transmission method, change of context in music accompaniment, movement, programmes and setting were inevitable in Kam’s continuous effort to revive and revitalize Cantonese opera in Malaysia.
first_indexed 2025-11-14T13:35:42Z
format Thesis
id um-5905
institution University Malaya
institution_category Local University
last_indexed 2025-11-14T13:35:42Z
publishDate 2015
recordtype eprints
repository_type Digital Repository
spelling um-59052022-07-18T18:11:22Z Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan He, Shan PN Literature (General) PN2000 Dramatic representation. The Theater KSK Art Crew is a Cantonese opera troupe led by Kam Sin Kiew based in Kuala Lumpur. This study examined into the changing context of KSK Art Crew as Kam revitalized the Cantonese opera in effort of sustainability. Literature reveals studies by scholars looking into Chinese opera based in China and Western countries, but there is a lack of research that examines into Cantonese opera in Malaysia, brought in by the Chinese diaspora in a country where majority of population is Malay. Methods include fieldwork, participant observation, recording, analysis and interview. Results show that the change of transmission method, change of context in music accompaniment, movement, programmes and setting were inevitable in Kam’s continuous effort to revive and revitalize Cantonese opera in Malaysia. 2015 Thesis NonPeerReviewed application/pdf http://studentsrepo.um.edu.my/5905/4/he_shan.pdf He, Shan (2015) Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan. Masters thesis, Universiti Malaya. http://studentsrepo.um.edu.my/5905/
spellingShingle PN Literature (General)
PN2000 Dramatic representation. The Theater
He, Shan
Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan
title Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan
title_full Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan
title_fullStr Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan
title_full_unstemmed Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan
title_short Kam Sin Kiew and the revitalization of Cantonese Opera in Malaysia / He Shan
title_sort kam sin kiew and the revitalization of cantonese opera in malaysia / he shan
topic PN Literature (General)
PN2000 Dramatic representation. The Theater
url http://studentsrepo.um.edu.my/5905/
http://studentsrepo.um.edu.my/5905/4/he_shan.pdf