The image of presence and the presence of the image
This article traces the development of art from the Renaissance to contemporary media practice. It looks at how images are made in relation to the main theoretical paradigm of the age. Moving from the window metaphor/Cartesian thought to media art/Ontology it focuses on how presence has been central...
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| Format: | Book Section |
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Springer
2020
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| Online Access: | http://eprints.sunway.edu.my/1377/ |
| _version_ | 1848802042855817216 |
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| author | Feinstein, K. * |
| author_facet | Feinstein, K. * |
| author_sort | Feinstein, K. * |
| building | SU Institutional Repository |
| collection | Online Access |
| description | This article traces the development of art from the Renaissance to contemporary media practice. It looks at how images are made in relation to the main theoretical paradigm of the age. Moving from the window metaphor/Cartesian thought to media art/Ontology it focuses on how presence has been central to how we view and understand images and how they place us in the world. This paper develops the theoretical relationship of art practice based on presence as being central to how our identity is linked to our relationship to otherness through technology. |
| first_indexed | 2025-11-14T21:17:04Z |
| format | Book Section |
| id | sunway-1377 |
| institution | Sunway University |
| institution_category | Local University |
| last_indexed | 2025-11-14T21:17:04Z |
| publishDate | 2020 |
| publisher | Springer |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | sunway-13772020-09-28T08:58:16Z http://eprints.sunway.edu.my/1377/ The image of presence and the presence of the image Feinstein, K. * NX Arts in general This article traces the development of art from the Renaissance to contemporary media practice. It looks at how images are made in relation to the main theoretical paradigm of the age. Moving from the window metaphor/Cartesian thought to media art/Ontology it focuses on how presence has been central to how we view and understand images and how they place us in the world. This paper develops the theoretical relationship of art practice based on presence as being central to how our identity is linked to our relationship to otherness through technology. Springer 2020 Book Section PeerReviewed Feinstein, K. * (2020) The image of presence and the presence of the image. In: Human-Computer Interaction. Design and User Experience. Springer, Cham, pp. 555-568. ISBN 978-3-030-49059-1 http://doi.org/10.1007/978-3-030-49059-1_41 doi:10.1007/978-3-030-49059-1_41 |
| spellingShingle | NX Arts in general Feinstein, K. * The image of presence and the presence of the image |
| title | The image of presence and the presence of the image |
| title_full | The image of presence and the presence of the image |
| title_fullStr | The image of presence and the presence of the image |
| title_full_unstemmed | The image of presence and the presence of the image |
| title_short | The image of presence and the presence of the image |
| title_sort | image of presence and the presence of the image |
| topic | NX Arts in general |
| url | http://eprints.sunway.edu.my/1377/ http://eprints.sunway.edu.my/1377/ http://eprints.sunway.edu.my/1377/ |