Diva over Divine: Towards a Historically Informed Performance of the Sacred Solo Motet in Early-Eighteenth Century Venice
In preparation for a performance, a musician may ask “how was it performed?”; “how could it be performed?”; “Can I perform it in a similar way to...?”. For singers wishing to perform the music for solo voice heard in the sacred institutions of early-eighteenth century Italy, the questions are left u...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
| Published: |
2021
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| Online Access: | https://eprints.nottingham.ac.uk/65605/ |