Feng Xiaogang’s New Year celebration films and contemporary Chinese commercial cinema: industry, regulatory authority and pop culture
Since the 1993 market-oriented reform, the Chinese government has strengthened its role in the domestic film industry’s commercialisation. Feng Xiaogang’s New Year Celebration Films (hesui pian, NYCFs), by virtue of their impressive box-office performance, are a valuable indicator of how commercial...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
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2020
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| Online Access: | https://eprints.nottingham.ac.uk/59927/ |