Voices Appeared: Carl Theodor Dreyer’s La Passion de Jeanne d’Arc and early fifteenth-century music: live music, silent film and vocal performance practices
This thesis considers its material from both a historical-critical and a performative-creative standpoint. It brings together complementary approaches: historical research, knowledge of musical repertoires, performance studies and creative practice, and film-music studies. It addresses questions of...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
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2019
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| Online Access: | https://eprints.nottingham.ac.uk/56082/ |