Rhythm and temporality: a phenomenological examination of music performance

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Rhythm and temporality: a phenomenological examination of music performance

This thesis applies a phenomenological approach to music performance. Drawing on Christopher Hasty’s interpretation of musical metre as ‘projection’, I examine the constitutive basis for the shared sense of time that underpins ensemble performance. The research considers a musician’s sensitivity to...

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Bibliographic Details
Main Author:	Boast, Philip James
Format:	Thesis (University of Nottingham only)
Language:	English
Published:	2018
Subjects:	Music > Performance Phenomenology Time Time-consciousness
Online Access:	https://eprints.nottingham.ac.uk/55274/

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