Rhythm and temporality: a phenomenological examination of music performance
This thesis applies a phenomenological approach to music performance. Drawing on Christopher Hasty’s interpretation of musical metre as ‘projection’, I examine the constitutive basis for the shared sense of time that underpins ensemble performance. The research considers a musician’s sensitivity to...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
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2018
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| Online Access: | https://eprints.nottingham.ac.uk/55274/ |