Technology and femininity in Marcel L'Herbier's L'Inhumaine
This article examines the intersection of technology and femininity in Marcel L’Herbier’s 1924 silent film L’Inhumaine, focusing on the film’s articulation of a figure of machine-woman who may be read as alternately inhuman and posthuman. The article draws on previous scholarship by Maureen Shanahan...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2019
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| Online Access: | https://eprints.nottingham.ac.uk/50616/ |