In the absence of noise, nothing sounds: Blanchot and the performance of harsh noise wall
Blanchot took Mallarmé’s “Book” as the paradigm for an artwork that aspired to such excess it could not exist. And yet it partly did, in the form of the poem Un coup de dés jamais n’abolira le hasard. For Blanchot, this ultimate literary work acted as a model for a relentless deconstructing not just...
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Taylor & Francis
2018
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| Online Access: | https://eprints.nottingham.ac.uk/49702/ |