"Boss Lady": the diagonal networks of African American women photographers from Reconstruction to the Harlem Renaissance

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"Boss Lady": the diagonal networks of African American women photographers from Reconstruction to the Harlem Renaissance

This dissertation argues that the relationships between the first African American women photographers and the various networks they utilised in order to achieve their careers were rooted in notions of respectability, and therefore took on unique 'horizontal,' 'vertical,' and �...

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Bibliographic Details
Main Author:	Brady, Emily
Format:	Thesis (University of Nottingham only)
Language:	English
Published:	2018
Subjects:	african american women photographers usa america black history networks feminity photography
Online Access:	https://eprints.nottingham.ac.uk/49507/

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