"Boss Lady": the diagonal networks of African American women photographers from Reconstruction to the Harlem Renaissance
This dissertation argues that the relationships between the first African American women photographers and the various networks they utilised in order to achieve their careers were rooted in notions of respectability, and therefore took on unique 'horizontal,' 'vertical,' and �...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
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2018
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| Online Access: | https://eprints.nottingham.ac.uk/49507/ |