The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance

New technologies, such as Virtual Reality (VR), Robotics and Artificial Intelligence (AI) are steadily having an impact upon the world of opera. The evolving use of performance-based software such as Ableton Live and Max/MSP has created new and exciting compositional techniques that intertwine theat...

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Bibliographic Details
Main Authors: Chamberlain, Alan, Kallionpää, Maria, Benford, Steve
Format: Conference or Workshop Item
Published: 2017
Subjects:
Online Access:https://eprints.nottingham.ac.uk/48514/
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author Chamberlain, Alan
Kallionpää, Maria
Benford, Steve
author_facet Chamberlain, Alan
Kallionpää, Maria
Benford, Steve
author_sort Chamberlain, Alan
building Nottingham Research Data Repository
collection Online Access
description New technologies, such as Virtual Reality (VR), Robotics and Artificial Intelligence (AI) are steadily having an impact upon the world of opera. The evolving use of performance-based software such as Ableton Live and Max/MSP has created new and exciting compositional techniques that intertwine theatrical and musical performance. This poster presents some initial work on the development of an opera using such technologies that is being composed by Kallionpää and Chamberlain.
first_indexed 2025-11-14T20:09:19Z
format Conference or Workshop Item
id nottingham-48514
institution University of Nottingham Malaysia Campus
institution_category Local University
last_indexed 2025-11-14T20:09:19Z
publishDate 2017
recordtype eprints
repository_type Digital Repository
spelling nottingham-485142020-05-04T19:23:27Z https://eprints.nottingham.ac.uk/48514/ The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance Chamberlain, Alan Kallionpää, Maria Benford, Steve New technologies, such as Virtual Reality (VR), Robotics and Artificial Intelligence (AI) are steadily having an impact upon the world of opera. The evolving use of performance-based software such as Ableton Live and Max/MSP has created new and exciting compositional techniques that intertwine theatrical and musical performance. This poster presents some initial work on the development of an opera using such technologies that is being composed by Kallionpää and Chamberlain. 2017-12-19 Conference or Workshop Item PeerReviewed Chamberlain, Alan, Kallionpää, Maria and Benford, Steve (2017) The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance. In: DMRN+12: Digital Music Research Network, Tuesday 19th December 2017, London, UK. Opera autonomous systems design performance HCI Chi Composition Virtual Reality VR Music
spellingShingle Opera
autonomous
systems
design
performance
HCI
Chi
Composition
Virtual Reality
VR
Music
Chamberlain, Alan
Kallionpää, Maria
Benford, Steve
The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
title The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
title_full The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
title_fullStr The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
title_full_unstemmed The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
title_short The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
title_sort art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
topic Opera
autonomous
systems
design
performance
HCI
Chi
Composition
Virtual Reality
VR
Music
url https://eprints.nottingham.ac.uk/48514/