Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre

Recent scholarship exhorts film historians to attend to production cycles in order to interrogate established conceptions of genres. This essay identifies and examines a neglected cycle of gangster regeneration films that flourished between 1910 and 1925 and constituted the prehistory of a genre usu...

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Main Author: Heffernan, Nick
Format: Article
Published: Indiana University Press 2017
Subjects:
Online Access:https://eprints.nottingham.ac.uk/44472/
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author Heffernan, Nick
author_facet Heffernan, Nick
author_sort Heffernan, Nick
building Nottingham Research Data Repository
collection Online Access
description Recent scholarship exhorts film historians to attend to production cycles in order to interrogate established conceptions of genres. This essay identifies and examines a neglected cycle of gangster regeneration films that flourished between 1910 and 1925 and constituted the prehistory of a genre usually identified with the early 1930s. The gangster regeneration cycle drew from the “slum plays” and “salvation stories” of stage melodrama a set of narrative formulas and thematic concerns that reflected the influence of Progressive ideology. In its attitude to social reform and gender, it stands in sharp distinction to the canonical gangster cycles that succeeded it.
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spelling nottingham-444722020-05-04T18:56:51Z https://eprints.nottingham.ac.uk/44472/ Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre Heffernan, Nick Recent scholarship exhorts film historians to attend to production cycles in order to interrogate established conceptions of genres. This essay identifies and examines a neglected cycle of gangster regeneration films that flourished between 1910 and 1925 and constituted the prehistory of a genre usually identified with the early 1930s. The gangster regeneration cycle drew from the “slum plays” and “salvation stories” of stage melodrama a set of narrative formulas and thematic concerns that reflected the influence of Progressive ideology. In its attitude to social reform and gender, it stands in sharp distinction to the canonical gangster cycles that succeeded it. Indiana University Press 2017-07-24 Article NonPeerReviewed Heffernan, Nick (2017) Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre. Film History, 29 (2). pp. 32-65. ISSN 1553-3905 film cycles gangster genre Progressivism sentimentalism gender politics Jazz Age http://www.jstor.org/stable/10.2979/filmhistory.29.2.02 doi:10.2979/ lmhistory.29.2.02 doi:10.2979/ lmhistory.29.2.02
spellingShingle film cycles
gangster genre
Progressivism
sentimentalism
gender politics
Jazz Age
Heffernan, Nick
Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre
title Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre
title_full Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre
title_fullStr Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre
title_full_unstemmed Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre
title_short Slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre
title_sort slum plays, salvation stories, and crook pictures: the gangster regeneration cycle and the prehistory of the gangster genre
topic film cycles
gangster genre
Progressivism
sentimentalism
gender politics
Jazz Age
url https://eprints.nottingham.ac.uk/44472/
https://eprints.nottingham.ac.uk/44472/
https://eprints.nottingham.ac.uk/44472/