Probing the heart and mind of the viewer: scientific studies of film and theatre spectators in the Soviet Union, 1917-1936
A vast array of research institutes and cultural organizations began to study the viewer of Soviet cinema and theatre in the years following the October Revolution. These investigations called on the techniques of sociology, psychology, and physiology to make Soviet cultural production more “efficie...
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| Format: | Article |
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ASEEES
2018
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| Online Access: | https://eprints.nottingham.ac.uk/44287/ |