Lovers, not fighters: Left politics and brandos costumes in Capitães de Abril
The popularity of Maria de Medeiros’s Capitães de Abril [April Captains] (2000) has made it a significant reference point in perceptions and post-memory of the Portuguese revolution. This essay argues that the film presents the 25 April 1974 coup as a restitution of social justice predicated on the...
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Liverpool University Press
2017
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| Online Access: | https://eprints.nottingham.ac.uk/39673/ |