The first collected “Shakespeare Apocrypha”

The anonymous plays Mucedorus, The Merry Devil of Edmonton, and Fair Em derive their spurious attribution to Shakespeare from a volume entitled "Shakespeare Vol. 1" that once belonged to David Garrick. Despite its significance, this volume has not been studied for over two hundred years. T...

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Main Author: Kirwan, Peter
Format: Article
Published: Johns Hopkins University Press 2011
Online Access:https://eprints.nottingham.ac.uk/37574/
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author Kirwan, Peter
author_facet Kirwan, Peter
author_sort Kirwan, Peter
building Nottingham Research Data Repository
collection Online Access
description The anonymous plays Mucedorus, The Merry Devil of Edmonton, and Fair Em derive their spurious attribution to Shakespeare from a volume entitled "Shakespeare Vol. 1" that once belonged to David Garrick. Despite its significance, this volume has not been studied for over two hundred years. This note corrects two longstanding errors concerning the volume's provenance and constitution, dating it to the 1630s and revealing that the volume contained eight plays, rather than the three usually assumed. Drawing out the implications of this information, Kirwan argues that the volume thus represents the first attempt to compile a volume of Shakespearean dubitanda. Situating the volume between the Pavier project and the Chetwynd Third Folio, he suggests that it implies an earlier and more sustained period of instability in the formation of the Shakespeare canon than is usually believed, and that even before the closure of the theatres, perceptions of the constitution of the Shakespeare canon were already unfixed.
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spelling nottingham-375742020-05-04T20:23:57Z https://eprints.nottingham.ac.uk/37574/ The first collected “Shakespeare Apocrypha” Kirwan, Peter The anonymous plays Mucedorus, The Merry Devil of Edmonton, and Fair Em derive their spurious attribution to Shakespeare from a volume entitled "Shakespeare Vol. 1" that once belonged to David Garrick. Despite its significance, this volume has not been studied for over two hundred years. This note corrects two longstanding errors concerning the volume's provenance and constitution, dating it to the 1630s and revealing that the volume contained eight plays, rather than the three usually assumed. Drawing out the implications of this information, Kirwan argues that the volume thus represents the first attempt to compile a volume of Shakespearean dubitanda. Situating the volume between the Pavier project and the Chetwynd Third Folio, he suggests that it implies an earlier and more sustained period of instability in the formation of the Shakespeare canon than is usually believed, and that even before the closure of the theatres, perceptions of the constitution of the Shakespeare canon were already unfixed. Johns Hopkins University Press 2011 Article PeerReviewed Kirwan, Peter (2011) The first collected “Shakespeare Apocrypha”. Shakespeare Quarterly, 62 (4). pp. 594-601. ISSN 1538-3555 https://muse.jhu.edu/article/461352 doi:10.1353/shq.2011.0077 doi:10.1353/shq.2011.0077
spellingShingle Kirwan, Peter
The first collected “Shakespeare Apocrypha”
title The first collected “Shakespeare Apocrypha”
title_full The first collected “Shakespeare Apocrypha”
title_fullStr The first collected “Shakespeare Apocrypha”
title_full_unstemmed The first collected “Shakespeare Apocrypha”
title_short The first collected “Shakespeare Apocrypha”
title_sort first collected “shakespeare apocrypha”
url https://eprints.nottingham.ac.uk/37574/
https://eprints.nottingham.ac.uk/37574/
https://eprints.nottingham.ac.uk/37574/