“Always the same stairs, always the same room”: the uncanny architecture of Jean Rhys's Good morning, midnight
Jean Rhys’s Good Morning, Midnight (1939) is a novel that returns obsessively to the uncanny architecture of the Parisian hotel, through providing insight into the deracinated experiences of protagonist Sasha Jansen, a woman existing at the peripheries of the interwar city. Strikingly, this uncanny...
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Indiana University Press
2015
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| Online Access: | https://eprints.nottingham.ac.uk/36941/ |