From satirical piece to commercial product: the mid-Victorian opera burlesque and its bourgeois audience

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From satirical piece to commercial product: the mid-Victorian opera burlesque and its bourgeois audience

Current studies of burlesque position it as a subversive genre that questioned cultural and social hierarchies and spoke to diverse audiences. Central to this interpretation are burlesque’s juxtapositions of high and low culture, particularly popular and operatic music. This article problematizes th...

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Bibliographic Details
Main Author:	Cormac, Joanne
Format:	Article
Published:	Tayor & Francis 2017
Subjects:	Burlesque Victorian Opera West End Middle Class
Online Access:	https://eprints.nottingham.ac.uk/36242/

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