From satirical piece to commercial product: the mid-Victorian opera burlesque and its bourgeois audience
Current studies of burlesque position it as a subversive genre that questioned cultural and social hierarchies and spoke to diverse audiences. Central to this interpretation are burlesque’s juxtapositions of high and low culture, particularly popular and operatic music. This article problematizes th...
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| Format: | Article |
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Tayor & Francis
2017
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| Online Access: | https://eprints.nottingham.ac.uk/36242/ |