Paris, Japan, and modernity: a vexed ratio
This essay uses mobility as a way to tackle the nominal question, “Is Paris Still the Capital of the Nineteenth Century?” By examining the illustrated travel narratives of two Frenchmen in Japan, Émile Guimet, founder of the eponymous museum of Asian art in Paris, and the artist Félix Régamey, who a...
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Ashgate Publishing
2015
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| Online Access: | https://eprints.nottingham.ac.uk/34451/ |