Saints and lovers: myths of the avant-garde in Michel Georges-Michel's Les Montparnos
This article examines Michel Georges-Michel’s 1924 novel Les Montparnos as a study of the myths circulating around the Montparnasse avant-garde of the 1920s, and their function in relation to art. Key amongst these myths is the idea of art as a religion, according to which avant-garde artists are co...
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| Format: | Article |
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Sage
2012
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| Online Access: | https://eprints.nottingham.ac.uk/33900/ |