Rebuilding the Angolan body politic: global and local projections of identity and protest in O Herói/The Hero (Zézé Gamboa, 2004)
This article uses a reading of Zézé Gamboa's award-winning 2004 feature as a basis for an exploration of post-conflict Angolan screen culture and of its impact both at home and internationally. It considers how O Herói’s depiction of a war-torn nation, and of the impediments to its reconstructi...
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| Format: | Article |
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Intellect Ltd
2012
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| Online Access: | https://eprints.nottingham.ac.uk/32167/ |