A case for corpus stylistics: Ian Fleming’s Casino Royale

In this article we investigate keywords and key semantic domains in Fleming’s Casino Royale. We identify groups of keywords that describe elements of the fictional world such as characters and settings as well as thematic signals. The keyword groups fall into two broad categories that are characteri...

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Main Authors: Mahlberg, Michaela, McIntyre, Dan
Format: Article
Published: John Benjamins Publishing 2011
Online Access:https://eprints.nottingham.ac.uk/3150/
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author Mahlberg, Michaela
McIntyre, Dan
author_facet Mahlberg, Michaela
McIntyre, Dan
author_sort Mahlberg, Michaela
building Nottingham Research Data Repository
collection Online Access
description In this article we investigate keywords and key semantic domains in Fleming’s Casino Royale. We identify groups of keywords that describe elements of the fictional world such as characters and settings as well as thematic signals. The keyword groups fall into two broad categories that are characterized as text-centred and reader-centred, with the latter providing particular clues for interpretation. We also compare the manually identified keyword groups with key semantic domains that are based on automatic semantic analysis. The comparison shows, for instance, how words that do not seem to fit a semantic domain can be seen as reader-centred keywords fulfilling specific textual functions. By linking our analysis to arguments in literary criticism, we show how quantitative and qualitative approaches can usefully complement one another.
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spelling nottingham-31502020-05-04T20:23:59Z https://eprints.nottingham.ac.uk/3150/ A case for corpus stylistics: Ian Fleming’s Casino Royale Mahlberg, Michaela McIntyre, Dan In this article we investigate keywords and key semantic domains in Fleming’s Casino Royale. We identify groups of keywords that describe elements of the fictional world such as characters and settings as well as thematic signals. The keyword groups fall into two broad categories that are characterized as text-centred and reader-centred, with the latter providing particular clues for interpretation. We also compare the manually identified keyword groups with key semantic domains that are based on automatic semantic analysis. The comparison shows, for instance, how words that do not seem to fit a semantic domain can be seen as reader-centred keywords fulfilling specific textual functions. By linking our analysis to arguments in literary criticism, we show how quantitative and qualitative approaches can usefully complement one another. John Benjamins Publishing 2011 Article PeerReviewed Mahlberg, Michaela and McIntyre, Dan (2011) A case for corpus stylistics: Ian Fleming’s Casino Royale. English Text Construction, 4 (2). pp. 204-227. ISSN 1874-8767 https://benjamins.com/#catalog/journals/etc.4.2.03mah/details doi:10.1075/etc.4.2.03mah doi:10.1075/etc.4.2.03mah
spellingShingle Mahlberg, Michaela
McIntyre, Dan
A case for corpus stylistics: Ian Fleming’s Casino Royale
title A case for corpus stylistics: Ian Fleming’s Casino Royale
title_full A case for corpus stylistics: Ian Fleming’s Casino Royale
title_fullStr A case for corpus stylistics: Ian Fleming’s Casino Royale
title_full_unstemmed A case for corpus stylistics: Ian Fleming’s Casino Royale
title_short A case for corpus stylistics: Ian Fleming’s Casino Royale
title_sort case for corpus stylistics: ian fleming’s casino royale
url https://eprints.nottingham.ac.uk/3150/
https://eprints.nottingham.ac.uk/3150/
https://eprints.nottingham.ac.uk/3150/