Durkin, H. (2013). Cinematic “pas de deux”: The dialogue between Maya Deren's experimental filmmaking and Talley Beatty's black ballet dancer in A Study in Choreography for Camera (1945). Cambridge University Press.
Chicago Style (17th ed.) CitationDurkin, Hannah. Cinematic “pas De Deux”: The Dialogue Between Maya Deren's Experimental Filmmaking and Talley Beatty's Black Ballet Dancer in A Study in Choreography for Camera (1945). Cambridge University Press, 2013.
MLA (9th ed.) CitationDurkin, Hannah. Cinematic “pas De Deux”: The Dialogue Between Maya Deren's Experimental Filmmaking and Talley Beatty's Black Ballet Dancer in A Study in Choreography for Camera (1945). Cambridge University Press, 2013.
Warning: These citations may not always be 100% accurate.