Cinematic “pas de deux”: the dialogue between Maya Deren's experimental filmmaking and Talley Beatty's black ballet dancer in A Study in Choreography for Camera (1945)
A Study in Choreography for Camera (1945) is a collaborative enterprise between avant-garde filmmaker Maya Deren and African American ballet dancer Talley Beatty. Study is significant in experimental film history – it was one of three films by Deren that shaped the emergence of the postwar avant-gar...
| Main Author: | |
|---|---|
| Format: | Article |
| Published: |
Cambridge University Press
2013
|
| Online Access: | https://eprints.nottingham.ac.uk/30952/ |