"You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic
This article addresses the construction of Shakespearean reputation and legacy in contemporary film through re-evaluation of the much-derided Anonymous (Roland Emmerich, 2011), in addition to John Madden's Shakespeare in Love (1998). In both films, the framing, presentation and performance of S...
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| Format: | Article |
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Johns Hopkins University Press
2014
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| Online Access: | https://eprints.nottingham.ac.uk/30865/ |
| _version_ | 1848794078795268096 |
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| author | Kirwan, Peter |
| author_facet | Kirwan, Peter |
| author_sort | Kirwan, Peter |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | This article addresses the construction of Shakespearean reputation and legacy in contemporary film through re-evaluation of the much-derided Anonymous (Roland Emmerich, 2011), in addition to John Madden's Shakespeare in Love (1998). In both films, the framing, presentation and performance of Shakespeare's contemporaries (Jonson, Marlowe, Nashe, Dekker and Webster) is key to an understanding of how both films figure what it means to be "Shakespeare" and what it means to be "not-Shakespeare". Viewing Shakespeare and his work through the eyes of his fellow writers, the films position Shakespearean reputation as formed both by and in spite of the observations of his friends and rivals.
In performing Shakespeare's contemporaries, writers and work are elided to create simple caricatures that contrast directly with the expectations of Romantic genius established for Shakespeare. In the cases of Marlowe and Jonson, however, more complex associations between competing literary legacies are brought into play that problematise the nature of the Shakespearean legacy. Emmerich's film, in seeking to rewrite the history of "Shakespeare", employs Jonson as its protagonist in order to question the nature of memorialisation, recognition and connoisseurship in preference to unquestioning fandom. In so doing, Anonymous provides a model for understanding the anti-Stratfordian experience through the overshadowing of other early modern dramatists. |
| first_indexed | 2025-11-14T19:10:29Z |
| format | Article |
| id | nottingham-30865 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| last_indexed | 2025-11-14T19:10:29Z |
| publishDate | 2014 |
| publisher | Johns Hopkins University Press |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-308652020-05-04T20:15:04Z https://eprints.nottingham.ac.uk/30865/ "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic Kirwan, Peter This article addresses the construction of Shakespearean reputation and legacy in contemporary film through re-evaluation of the much-derided Anonymous (Roland Emmerich, 2011), in addition to John Madden's Shakespeare in Love (1998). In both films, the framing, presentation and performance of Shakespeare's contemporaries (Jonson, Marlowe, Nashe, Dekker and Webster) is key to an understanding of how both films figure what it means to be "Shakespeare" and what it means to be "not-Shakespeare". Viewing Shakespeare and his work through the eyes of his fellow writers, the films position Shakespearean reputation as formed both by and in spite of the observations of his friends and rivals. In performing Shakespeare's contemporaries, writers and work are elided to create simple caricatures that contrast directly with the expectations of Romantic genius established for Shakespeare. In the cases of Marlowe and Jonson, however, more complex associations between competing literary legacies are brought into play that problematise the nature of the Shakespearean legacy. Emmerich's film, in seeking to rewrite the history of "Shakespeare", employs Jonson as its protagonist in order to question the nature of memorialisation, recognition and connoisseurship in preference to unquestioning fandom. In so doing, Anonymous provides a model for understanding the anti-Stratfordian experience through the overshadowing of other early modern dramatists. Johns Hopkins University Press 2014-03 Article PeerReviewed Kirwan, Peter (2014) "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic. Shakespeare Bulletin, 32 (1). pp. 11-26. ISSN 1931-1427 film Shakespeare Jonson authorship Anonymous Shakespeare in love http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/shakespeare_bulletin/v032/32.1.kirwan.html doi:10.1353/shb.2014.0009 doi:10.1353/shb.2014.0009 |
| spellingShingle | film Shakespeare Jonson authorship Anonymous Shakespeare in love Kirwan, Peter "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic |
| title | "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic |
| title_full | "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic |
| title_fullStr | "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic |
| title_full_unstemmed | "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic |
| title_short | "You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic |
| title_sort | "you have no voice!": constructing reputation through contemporaries in the shakespeare biopic |
| topic | film Shakespeare Jonson authorship Anonymous Shakespeare in love |
| url | https://eprints.nottingham.ac.uk/30865/ https://eprints.nottingham.ac.uk/30865/ https://eprints.nottingham.ac.uk/30865/ |