"You have no voice!": Constructing reputation through contemporaries in the Shakespeare biopic
This article addresses the construction of Shakespearean reputation and legacy in contemporary film through re-evaluation of the much-derided Anonymous (Roland Emmerich, 2011), in addition to John Madden's Shakespeare in Love (1998). In both films, the framing, presentation and performance of S...
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| Format: | Article |
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Johns Hopkins University Press
2014
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| Online Access: | https://eprints.nottingham.ac.uk/30865/ |