The roared-at boys? Repertory casting and gender politics in the RSC's 2014 Swan season
This essay interrogates the loading of the “Roaring Girls” season by asking what it means to “roar” in both the early modern period and twenty-first century, unpacking the terms on which the women of these productions are empowered or undermined through their treatment by their male counterparts. Pe...
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| Format: | Article |
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Taylor and Francis
2015
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| Online Access: | https://eprints.nottingham.ac.uk/30862/ |