Elvis sings for the BBC: broadcast branding and digital media design

This essay uses a striking example of digital remix promotion - BBC Radio 2’s Elvis ad - to examine developments in the contemporary branding and broadcast environment. Developing work by John Caldwell, it examines the Elvis ad as a ‘deep text’, a promotionally reflexive articulation by media indust...

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Main Author: Grainge, Paul
Format: Article
Published: Sage 2010
Subjects:
Online Access:https://eprints.nottingham.ac.uk/29263/
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author Grainge, Paul
author_facet Grainge, Paul
author_sort Grainge, Paul
building Nottingham Research Data Repository
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description This essay uses a striking example of digital remix promotion - BBC Radio 2’s Elvis ad - to examine developments in the contemporary branding and broadcast environment. Developing work by John Caldwell, it examines the Elvis ad as a ‘deep text’, a promotionally reflexive articulation by media industries about the nature of corporate media identity and aesthetics. Suggestive of the BBC’s attempt since the late 1990s to make its brand ‘sing’, and relating specifically to the visualization of radio in the digital age, the essay uses the Elvis ad to investigate the performance of network personality in the multi-channel era, the growing role of brand/design companies such as Red Bee Media, and the operational and ontological transition of the BBC to a digital media world. More generally, the essay considers the relation of found-footage promotion to the ‘spatialization of audiovisual culture’.
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spelling nottingham-292632020-05-04T20:25:11Z https://eprints.nottingham.ac.uk/29263/ Elvis sings for the BBC: broadcast branding and digital media design Grainge, Paul This essay uses a striking example of digital remix promotion - BBC Radio 2’s Elvis ad - to examine developments in the contemporary branding and broadcast environment. Developing work by John Caldwell, it examines the Elvis ad as a ‘deep text’, a promotionally reflexive articulation by media industries about the nature of corporate media identity and aesthetics. Suggestive of the BBC’s attempt since the late 1990s to make its brand ‘sing’, and relating specifically to the visualization of radio in the digital age, the essay uses the Elvis ad to investigate the performance of network personality in the multi-channel era, the growing role of brand/design companies such as Red Bee Media, and the operational and ontological transition of the BBC to a digital media world. More generally, the essay considers the relation of found-footage promotion to the ‘spatialization of audiovisual culture’. Sage 2010-01 Article PeerReviewed Grainge, Paul (2010) Elvis sings for the BBC: broadcast branding and digital media design. Media, Culture & Society, 3 (1). pp. 45-61. ISSN 0163-4437 Marketing Television Studies Digital Media Radio Media Industries Branding Found Footage BBC Elvis Promotional Strategy http://mcs.sagepub.com/content/32/1/45 doi:10.1177/0163443709350097 doi:10.1177/0163443709350097
spellingShingle Marketing
Television Studies
Digital Media
Radio
Media Industries
Branding
Found Footage
BBC
Elvis
Promotional Strategy
Grainge, Paul
Elvis sings for the BBC: broadcast branding and digital media design
title Elvis sings for the BBC: broadcast branding and digital media design
title_full Elvis sings for the BBC: broadcast branding and digital media design
title_fullStr Elvis sings for the BBC: broadcast branding and digital media design
title_full_unstemmed Elvis sings for the BBC: broadcast branding and digital media design
title_short Elvis sings for the BBC: broadcast branding and digital media design
title_sort elvis sings for the bbc: broadcast branding and digital media design
topic Marketing
Television Studies
Digital Media
Radio
Media Industries
Branding
Found Footage
BBC
Elvis
Promotional Strategy
url https://eprints.nottingham.ac.uk/29263/
https://eprints.nottingham.ac.uk/29263/
https://eprints.nottingham.ac.uk/29263/