Reading the razor blade: the problematic reception of contemporary French extreme cinema

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Reading the razor blade: the problematic reception of contemporary French extreme cinema

From the early 1990s onwards, a trend in French cinema took the body, especially the violated body, as the starting point of an engagement with the spectator which moved beyond the traditional ocular relationship between film and viewer and into a more physical mode. The reception of these films has...

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Bibliographic Details
Main Author:	Parsons, Martin John Anthony
Format:	Thesis (University of Nottingham only)
Language:	English
Published:	2013
Subjects:	Extreme cinema French Sex Violence Sexual Violence Hapticity Spectatorship Physicality
Online Access:	https://eprints.nottingham.ac.uk/13914/

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