Reading the razor blade: the problematic reception of contemporary French extreme cinema
From the early 1990s onwards, a trend in French cinema took the body, especially the violated body, as the starting point of an engagement with the spectator which moved beyond the traditional ocular relationship between film and viewer and into a more physical mode. The reception of these films has...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
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2013
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| Online Access: | https://eprints.nottingham.ac.uk/13914/ |