Record production and the construction of authenticity in the Beach Boys and late-sixties American rock
This thesis explores the paradox that occurred at the time that rock emerged as a new genre in America in the mid-1960s. Recordings were becoming increasingly manipulated in the studio, but at the same time there emerged a growing ideology of authenticity that developed as the decade progressed, fir...
| Main Author: | |
|---|---|
| Format: | Thesis (University of Nottingham only) |
| Language: | English |
| Published: |
2010
|
| Online Access: | https://eprints.nottingham.ac.uk/13024/ |