Selfies, #me: Glimpses of Authenticity in the Narcissus’ Pool of the Networked Amateur Self-Portrait
This research addresses the ‘Selfie’ as a significant phenomenon of contemporary photography, its unique methods of production and distribution, as well as the possible motivations driving this particular genre of the (amateur) self-portrait. I will argue that the Selfie happens at the crossroads be...
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| Format: | Non traditional textual works |
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2015
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| Online Access: | http://hdl.handle.net/20.500.11937/9711 |