The Camera Phone in the Concert Space: Live Music and Moving Images on the Screen
In this article, I argue that screen relations have profoundly redirected affective and aesthetic strategies of live music experience to culminate in a complex relationship with camera phone technology that is characterised by feelings of possessiveness, a sense of control over narrativising one’s e...
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| Format: | Journal Article |
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Liverpool University Press Online
2018
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| Online Access: | http://hdl.handle.net/20.500.11937/71445 |