Working through trauma in post-dictatorial Chilean documentary: Lorena Giachino's Reinalda del Carmen
According to Dominick LaCapra's critique, the Holocause documentary Shoah (1985) would operate in terms of a re-traumatising strategy, appearing obsessed with prompting survivors and other witnesses to act out traumatic symptoms in front of the camera. Alternativelty, LaCapra argues for a favou...
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| Format: | Book Chapter |
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Black Swan Press
2009
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| Online Access: | http://hdl.handle.net/20.500.11937/43583 |