Aesthetics of austerity in Toda Seiju's posters

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Aesthetics of austerity in Toda Seiju's posters

Japanese Post-modern posters emerged as a powerful medium that captivated the world’s attention in the 1980s. Their significance arises from their distinctive aesthetics, designers’ attempts to create their own styles, the environment where posters are displayed, and the social and cultural conditio...

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Bibliographic Details
Main Author:	Nguyen, Hung Ky
Other Authors:	Luke Morgan
Format:	Conference Paper
Published:	Monash University Publishing 2013
Subjects:	cultural analysis Toda Seiju ‘Aesthetics of subtraction’ Japanese Post-modern poster
Online Access:	http://www.publishing.monash.edu/books/ic-9781921867569.html http://hdl.handle.net/20.500.11937/19963

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