Aesthetics of austerity in Toda Seiju's posters
Japanese Post-modern posters emerged as a powerful medium that captivated the world’s attention in the 1980s. Their significance arises from their distinctive aesthetics, designers’ attempts to create their own styles, the environment where posters are displayed, and the social and cultural conditio...
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| Format: | Conference Paper |
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Monash University Publishing
2013
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| Online Access: | http://www.publishing.monash.edu/books/ic-9781921867569.html http://hdl.handle.net/20.500.11937/19963 |