Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca

<p>This paper intends to provide an initial draft and a methodological framework for further investigations about the use of the statues of the crucified and dead Christ during the representations of the Passion from the XIV to the XV century. In particular, I will discuss four different types...

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Main Author:	Carla Bino
Format:	Article
Language:	English
Published:	Firenze University Press 2017-11-01
Series:	Drammaturgia
Subjects:	Medieval theatre Medieval drama Liturgy and drama Visual culture of the Middle Ages Performative images Acting images Wooden crucifix
Online Access:	http://www.fupress.net/index.php/drammaturgia/article/view/22040

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spelling	doaj-art-9a1bd2f46a184264920a7ef4e841255f2018-09-17T08:32:37ZengFirenze University PressDrammaturgia1122-93652283-56442017-11-0113327731110.13128/Drammaturgia-2204018243Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricercaCarla Bino<p>This paper intends to provide an initial draft and a methodological framework for further investigations about the use of the statues of the crucified and dead Christ during the representations of the Passion from the XIV to the XV century. In particular, I will discuss four different types of artifact: crucifixes with moveble arms; so-called ‘talking’ crucifixies that have unmoveble limbs but a moveble tongue; jointed sculptures of the suffering Christ and artifacts made with several materials, coated with leather and totally jointed; carved statues of the dead Christ lying in a wooden sarcophagus covered with paintings. My proposal is to distinguish them according to those features that link to different performative actions and, therefore, to different rites celebrated in different spiritual contexts. I consider each of these artworks as a ‘performative image’, that was probably used for a specific performance, playing a certain scene on a very clear ‘stage’ in front of a particular audience.</p>http://www.fupress.net/index.php/drammaturgia/article/view/22040Medieval theatreMedieval dramaLiturgy and dramaVisual culture of the Middle AgesPerformative imagesActing imagesWooden crucifix
institution	Open Data Bank
collection	Open Access Journals
building	Directory of Open Access Journals
language	English
format	Article
author	Carla Bino
spellingShingle	Carla Bino Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca Drammaturgia Medieval theatre Medieval drama Liturgy and drama Visual culture of the Middle Ages Performative images Acting images Wooden crucifix
author_facet	Carla Bino
author_sort	Carla Bino
title	Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca
title_short	Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca
title_full	Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca
title_fullStr	Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca
title_full_unstemmed	Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca
title_sort	le statue del cristo crocifisso e morto nelle azioni drammatiche della passione (xiv-xv secolo). linee di ricerca
publisher	Firenze University Press
series	Drammaturgia
issn	1122-9365 2283-5644
publishDate	2017-11-01
description	<p>This paper intends to provide an initial draft and a methodological framework for further investigations about the use of the statues of the crucified and dead Christ during the representations of the Passion from the XIV to the XV century. In particular, I will discuss four different types of artifact: crucifixes with moveble arms; so-called ‘talking’ crucifixies that have unmoveble limbs but a moveble tongue; jointed sculptures of the suffering Christ and artifacts made with several materials, coated with leather and totally jointed; carved statues of the dead Christ lying in a wooden sarcophagus covered with paintings. My proposal is to distinguish them according to those features that link to different performative actions and, therefore, to different rites celebrated in different spiritual contexts. I consider each of these artworks as a ‘performative image’, that was probably used for a specific performance, playing a certain scene on a very clear ‘stage’ in front of a particular audience.</p>
topic	Medieval theatre Medieval drama Liturgy and drama Visual culture of the Middle Ages Performative images Acting images Wooden crucifix
url	http://www.fupress.net/index.php/drammaturgia/article/view/22040
_version_	1612556328044068864

Le statue del Cristo crocifisso e morto nelle azioni drammatiche della Passione (XIV-XV secolo). Linee di ricerca

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