Shelley in the Transition to Russian Symbolism: Three Versions of 'Ozymandias'
One of the features of the early Russian Symbolist movement in the 1890s is its appropriation of literary models previously championed by the civic tradition which preceded it and to which it was both philosophically and aesthetically opposed. One example can be found in treatments of the English p...
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| Format: | Journal Article |
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Modern Humanities Research Association
2013
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| Online Access: | http://hdl.handle.net/20.500.11937/3048 |