Masters of the nation: Representation of the industrial worker in films of the Cultural Revolution period (1966-1976)
Cinema, an extremely popular and useful cultural form during the Maoist era, played a big role in shaping working class subjectivity. This article argues that despite their highly politicised and formalised content, industrial-themed films made during the Cultural Revolution created a “masters of th...
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| Format: | Journal Article |
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French Centre for Research on Contemporary China
2015
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| Online Access: | http://chinaperspectives.revues.org/6690 http://hdl.handle.net/20.500.11937/12335 |