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180517s2013 mau eng |
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|a 9780262019293
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|a UniSZA
|e rda
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|a TR183
|b .Z87 2013
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|a TR183
|b .Z87 2013
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|a Zuromskis, Catherine ,
|e author
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|a Snapshot photography :
|b the lives of images
|c Catherine Zuromskis
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| 264 |
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|a Cambridge, Massachusetts :
|b The MIT
|c c2013
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| 300 |
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|a vii, 358 pages ;
|c 24 cm.
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| 336 |
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|a text
|2 rdacontent
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| 337 |
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|a unmediated
|2 rdamedia
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| 338 |
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|a volume
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 321-348) and index
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| 505 |
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|a 1. Introduction: The social life of snapshot photography -- 2. Intimate exposures -- 3. Icons of intimacy and portraits of perversity -- 4. "Ordinary pictures" in the Modern Art Museum -- 5. Andy Warhol's snapshots: from the Factory to America -- 6. Nan Goldin at the limits of photographic possibility -- 7. Conclusion: Afterlife
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| 520 |
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|a Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. In this book, Catherine Zuromskis examines the development of a form of visual expression that is both public and private
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| 650 |
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|a Photographic criticism
|z United States
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| 650 |
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|a Photography
|x Social aspects
|z United States
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| 999 |
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|a 1000174562
|b Book
|c OPEN SHELF (30 DAYS)
|e Tembila Campus
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