New perspectives on narrative and multimodality [
Investigates the diverse but integrated semiotic potential of storytelling. This collection provides an analysis of how narrative operates using combinations of visual, typographic, aural, gestural and haptic resources.
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Routledge ,
c2009
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| Series: | Routledge studies in multimodality
1 |
| Subjects: | |
| Online Access: | NetLibrary |
Table of Contents:
- 1. Multimodal storytelling : performance and inscription in the narration of art history
- 2. A multimodal approach to mind style : semiotic metaphor vs. multimodal conceptual metaphor
- 3. The computer-based analysis of narrative and multimodality
- 4. Opera : forever and always multimodal
- 5. Word-image/utterance-gesture : case studies in multimodal storytelling
- 6. "I contain multitudes" : narrative multimodality and the book that bleeds
- 7. Multimodality and the literary text : making sense of Safran Foer's Extremely loud and incredibly close
- 8. Electronic multimodal narratives and literary form
- 9. Gains and losses? writing it all down : fanfiction and multimodality
- 10. Respiratory narrative : multimodality and cybernetic corporeality in "physio-cybertext"
- 11. Cruising along : time in Ankerson and Sapnar
- 12. Beyond multimedia, narrative, and game : the contributions of multimodality and polymorphic fictions
- 13. Keg party extreme and conversation party : two multimodal interactive narratives developed for the SMALLab
- 14. Coda/prelude : eighteen questions for the study of narrative and multimodality