Digital visual culture [ theory and practice
Since its inception in 1985, CHArt - Computers and the History of Art - has been at the forefront of international debate on digital art practice, curation and scholarship. This title includes papers
| Main Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Bristol;New York :
Intellect ,
c2009
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| Series: | Computers and the history of art
v 3 |
| Subjects: | |
| Online Access: | NetLibrary |
Table of Contents:
- 1. Page 1 - William Vaughan 'History of Art in the Digital Age : Problems and Possibilities'
- 2. Page 3 - William Vaughan 'Animating Art History: Digital Ways of Studying Colour in Abstract Art'
- 3. Page 15 - Mary Pearce 'The Cathedral as a Virtual Encyclopaedia: Reconstructing the 'Texts' of Chartres Cathedral'
- 4. Page 35 - Stephen Clancy 'With Camera to India, Iran and Afghanistan: Access to Multimedia Sources of the Explorer Professor Dr Morgenstierne (1892-1975)'
- 5. Page 45 - Wlodek Witek 'Towards a Yet Newer Laocoon. Or, What We Can Learn from Interacting with Computer Games'
- 6. Page 57 - Michael Hammel 'Digital Arts On (the) Line'
- 7. Page 65 - Dew Harrison and Suzette Worden 'Dew Harrison and Suzette Worden'
- 8. Page 77 - Antonio Criminisi, Martin Kemp and Andrew Zisserman 'Enhancing a Historical Digital Art Collection: Evaluation of Content-Based Image Retrieval on Collage'
- 9. Page 101 - Annette A. Ward, Margaret E. Graham, K. Jonathan Riley and Nic Sheen