B-sides, undercurrents and overtones [ peripheries to popular in music, 1960 to the present
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. This book adapts the 'A-side/B-side'
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| Format: | Book |
| Language: | English |
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Farnham, England;Burlington, VT :
Ashgate ,
c2009
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| Series: | Ashgate popular and folk music series
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| Subjects: | |
| Online Access: | NetLibrary |
Table of Contents:
- 1. Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves
- 2. How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation
- 3. Covering outside the lines : Hans Fenger and the Langley Schools music project
- 4. Geffen Records v. Neil Young : the battle of the brands
- 5. Music and movie mutuality : Ry Cooder, the involved bystander
- 6. World music missionaries : cross culture convergences
- 7. The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert
- 8. Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr
- 9. Must sing TV : pop rock sitcom cameo obscuras
- 10. Umbilical musical chords : lineage, legacy, and mom and pop pedigree
- 11. Die another day : Warren Zevon's desperado deteriorata