Search Results - sharp (music)

The musical descriptor using Fast Fourier Transform (FFT): examples in P Ramlee songs by Musib, Ahmad Faudzi, Hamdan, Sinin, Kuryati, Kipli, Sinin, Aaliyawani Ezzerin, Johari Abdullah, Johari Abdullah

“…Abstract The musical descriptor can be characterize using quantitative evaluation of audio sounds. …”
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Noise exposure in the Malaysian living environment from a music education perspective by Chan, Cheong Jan

“…Hence, it is a valid problem for music educationists to deal with both in their research and practical teaching.…”
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Sampling Synthesis Technique Applied For The Digital Generation Of Musical Tones Of Malay Folk Instruments by Ang, Yaw Feng

“…A random survey of commercial synthesisers available shows that sampled sounds of Malay folk instruments such as the rebab, seruling and others are lacking in both fonns of software or hardware, in sharp contrast to Western classical instrument sounds where similar materials are in abundance. …”
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Independent Brisbane: Four Plays by Dorney, M., Mercer, Leah, Brown Ash, M., Callaghan, S., Schmidt, C.

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Whose voices? The fate of Luigi Nono’s 'Voci destroying muros' by Adlington, Robert

“…A setting of texts by female prisoners and factory workers, it marks a sharp stylistic departure from Nono's political music of the 1960s by virtue of its audible quotations of revolutionary songs, its readily intelligible text setting, and especially its retention of the diatonic structure of the song on which the piece is based, the communist “Internationale.” …”
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Analysing sound characteristics of cello and violin using fast fourier transform by Hamdan, Sinin, Mohamad Said, Khairul A., Musib, Ahmad F., Sawawi, Marini, Sinin, Aaliyawani E.

“…The unique sound characteristics of music are based on multiple harmonic frequencies that exist within the sound waves. …”
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Quantitative assessment of sound characteristics using the affinity (A), mean affinity (MA), brightness (S), mean contrast (MC), harmonicity (H) and monotony (M) of Gamelan timbre by Hamdan, Sinin, Sinin, Aaliyawani Ezzerin, Mohamad Said, Khairul Anwar, Abdullah, Johari

“…The centroid f_bar indicates the presence of frequencies other than f_0 with amplitude distribution in such a way that f_bar has a magnitude greater than f_0. f_bar does not represent the harmonic nature of sound because it is not correlated with the natural scale series of any musical instrument. The acoustic descriptors used in this work are Affinity (A), Mean Affinity (MA), Brightness (S) or Sharpness, Mean Contrast (MC), Harmonicity (H), and Monotony (M). …”
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