Search Results - Comics Come Home~
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Beyond words of popularization mining: Reviews on comic books movies
Published 2018“…Application/Improvements: The results obtained can help the entertainment industry on their decision making on what to focus on when it comes to producing comic books superheroes into movies based on the sentiment analysis in identifying the postive and negative terms and their relationship with one another.…”
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"I want to define myself by what I am instead of what I am not": Examining Gender and Sexuality in Contemporary US Graphic Memoirs
Published 2021“…I identify a gap in research concerning a canon of queer comics, predominantly contributed to by women and non-binary artists that have traditionally been marginalised. …”
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Proposed new interior design of Crazy Manga Store for Animation Technology Sdn Bhd at No 5 & 6 Sunway Giza, Dataran Sunway PJU 5 Kota Damansara, Petaling Jaya, Selangor Darul Ehsan...
Published 2010“…Bhd. is expected to increase more specialty stores throughout Malaysia, including Sabah and Sarawak.Within their long-term planning, they are also planning to open a store that sells mainly comic books.Therefore, this comic store is proposed to attract younger customers, especially children and teenagers to come to the store and buy comic books..The main product for this store is mainly a Japanese comic books or better known as manga among Japanese comic lovers. …”
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The elusive and yet irrepressible modernist self: formulating a theory of self-reflexivity in Kurt Schwitters' Hanover Merzbau through the vitalist philosphies of Georg Simmel and...
Published 2004“…Spurned by Berlin Dada, he was compelled to construct for himself an alternative Dada existence, and this he accomplished in the one-man movement he christened "Merz". …”
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People, poets, puppets: popular performance and the wong cilik in contemporary Java.
Published 1997“…This is apparent in the relationship between audience and dalang (puppeteer) in many local performances of wayang kulit. The informal 'comic interlude', in particular, can provide opportunity for the articulation of shared meanings and concerns between the predominantly wong cilik audience and sympathetic dalang, dependent on their patronage and coming from a similar socio-economic background.As part of the intelligentsia, the dalang, as with other cultural workers, has an important, often ambiguous, role in determining the significance of cultural production for the wong cilik. …”
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